San Jose, CA, USA
Jointly with MIPR 2019
Artificial Intelligence (AI) has already fueled many academic fields as well as industries. In the area of art creation, AI has demonstrated its great potential and gained increasing popularity. It is feasible for an AI painting system to generate desired content in the style of a specific famous painter, eastern or western. Meanwhile, tunes composed by AI also have attracted a large amount of fans and even led people into believing that they were originated from masters of classical music. Moreover, the most impressing development enabled by AI has been achieved recently in virtual hosting. These breakthroughs have brought up great opportunities while posing severe challenges. On the one hand, all these technologies are helping enrich art works needed by human and saving up much human labors. On the other, it is controversial whether to evaluate the values of AI art the same way that human art is measured, and an even challenging issue is to discern AI art from human art.
This is the first AIArt workshop to be held on MIPR and it aims to bring forward cutting-edge technologies and most recent advances in the area of AI art in terms of the enabling technologies and their counterpart of analyzing and authenticating methods.
We sincerely invite high-quality papers presenting or addressing issues related to AI art, including but not limited to the following topics:
Paper Submission
Authors are invited to submit regular papers (6 pages), short papers (4 pages), and demo papers (2 pages). More information: http://www.ieee-mipr.org/submit_instruction.html
Submission address: https://cmt3.research.microsoft.com/AIArt2019/Submission/Index
Submissions due
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January 25, 2019
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Acceptance notification
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February 1, 2019
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Camera-ready papers due
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February 8, 2019
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Workshop date(tentative date)
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March 28-30, 2019
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Beijing University of Technology
Beijing, China
ltmou@bjut.edu.cn
Dr. Luntian Mou is an assistant professor in Beijing University of Technology, where he is the founding director with the Intelligent Transportation and Intelligent Multimedia (ITAIM) research group. His current research interests include intelligent transportation, intelligent multimedia, machine learning and artificial intelligence. He has a research background in multimedia security, copy detection and video fingerprinting. And he serves as the Chair of System subgroup in AVS workgroup in China.
Tsinghua University
Beijing, China
gaofeng2018@tsinghua.edu.cn
Dr. Feng Gao is a postdoc researcher in Tsinghua University. He has long researched in the disciplinary fields of AI and art, especially in AI painting. Currently, he is also enthusiastic in virtual human. He has demonstrated his AI painting system, called Daozi, in several workshops and drawn much attention. In addition, he plans to host an AI Art Summit in Jan, 2019, and will also present a demo of his AI crafts on this AIArt workshop.
Tsinghua University
Beijing, China
xlhu@tsinghua.edu.cn
Dr. Xiaolin Hu is an associate professor in Tsinghua University. His current research interests include developing brain-inspired computational models and discovering brain mechanisms of visual and auditory processing. He has maintained a good publication record in top journals and conferences in the field of neural computing, computer vision and artificial intelligence. He is an Associate Editor of IEEE Transactions on Neural Networks and Learning Systems. Recently, he became interested in music generation using AI techniques and co-founded a company, Lingdongyin, specializing on automatic music production.
National Chiao Tung University
Taiwan
whcheng@nctu.edu.tw
Dr. Wen-Huang Cheng is a Professor with the Institute of Electronics, National Chiao Tung University (NCTU), Taiwan, where he is the Founding Director with the Artificial Intelligence and Multimedia Laboratory (AIMMLab). His current research interests include multimedia, artificial intelligence, computer vision, machine learning, social media, and financial technology. He is a co-organizer of the 2018 International Workshop on AI Aesthetics in Art and Media, in conjunction with 2018 ACCV.